HAIR CONTROL turns apocalypse anxiety and digital disconnection into an uplifting synth-pop anthem about human connection in “TV in the Afterlife.”
Calgary art-pop duo HAIR CONTROL, made up of Ryan Bourne and Rebecca Reid, shares “TV in the Afterlife,” an energetic new single that blends shimmering synth-pop with thoughtful storytelling. Driven by infectious melodies and ’80s-inspired production, the track explores the pressures of modern life while ultimately celebrating the resilience of human connection.
Instead of focusing on uncertainty, HAIR CONTROL transforms existential themes into something hopeful. The song combines danceable rhythms with reflective lyrics, creating a sound that feels honest, fun, and engaging.
“TV in the Afterlife”: Dancing Through the End of the World
“TV in the Afterlife” started as a simple three-chord guitar sketch written by Ryan Bourne. The song first appeared in a different form on his Plant City record. However, HAIR CONTROL later revisited the track and gave it a new identity.
Rebecca Reid joined as the lead vocalist, adding warmth and personality to the song. Meanwhile, the duo replaced its post-punk edge with shimmering synths, driving beats, and ’80s-inspired pop textures. As a result, the track became what the band calls an “existential workout jam.”
Although the song explores serious topics, it keeps its energy. The lyrics touch on shrinking attention spans, engineered isolation, apocalypse anxiety, and technofascism. They also explore the consolation, as well as the existential horror, of “never being alone.”
Instead of ending in fear, HAIR CONTROL focuses on hope. “TV in the Afterlife” highlights the that meaningful connections still matters. It reflects on modern life while celebrating human connection.
The duo also showcases its signature immersive sound by blending lo-fi elements with electronic production. With arpeggiated synths, pulsing rhythms, and layered hooks, HAIR CONTROL turns heavy themes into a playful and powerful listening experience.
