Thai actor and singer-songwriter Nanon Korapat steps into his new era with the release of his new album, SEVEN. The album features seven tracks based on the concept of the seven deadly sins.
On November 7, 2025, Nanon Korapat reminded everyone why his voice stands out in Thailand—rich, warm, and quietly powerful. He marked the day with the release of SEVEN, an album that shows just how much he has grown as an artist. There’s something magnetic in the way he sings, as if every line carries a piece of his inner world.
You can feel the emotion and honesty in his delivery long before you understand the lyrics. His debut, The Secrets of the Universe (2023), remains one of T-pop’s most memorable releases—dreamlike, reflective, and inspired by the innocence of The Little Prince. It captured a sense of wonder that listeners held on to, even without perfect Thai. It was simply magical.
Nanon Korapat returns with a sound that hits closer to the heart and explores the darker corners of the mind. Furthermore, SEVEN, released through Riser Music, trades the cosmic softness of his debut for something more intense and grounded. Built around the seven deadly sins, the album explores love, ego, and desire, delivering seven striking, emotionally charged tracks. SEVEN urges listeners to face themselves—and the truths they often avoid.
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1. “Make You Mine”
Kiss me, touch me
Feed the hunger deep inside
Hit me, tie me
Let desire win tonight
“Make You Mine” starts the album with a sharp, confident pull, dragging the listener straight into the messy edge of desire. It’s the kind of feeling you know you shouldn’t have, yet can’t shake off. Nanon released this track on August 15, 2025, reflecting the idea of lust.
His opening track makes it clear he plans to explore temptation without softening it. In addition, the song feels like a private confession whispered in a dim room, where the light flickers just enough to expose the truth. Nanon Korapat delivers the vocals with a raw mix of seduction and regret, as if he’s fully aware of how dangerous the feeling is.
Furthermore, his tone blends shame and longing in a way that feels painfully real. He doesn’t romanticize the sin; instead, he gives it a human face. You can hear the quiet struggle between right and wrong, pleasure and consequence.
What makes “Make You Mine” hit so hard is this emotional push-and-pull. It’s bold, yes, but it’s also thoughtful. The track captures two people inching closer to something they know will end badly, drawn by a spark they can’t deny. In the end, it doesn’t just introduce the album—it lures you into the world of SEVEN and dares you to stay.
2. “คนไม่ดี (Bad)”
The desires in my heart are too much
It never makes me smile
Even though I know deep down that it’s suffering
“Bad” captures the moment when love shifts into something sharper and heavier—the kind of longing that borders on hunger. The track paints a picture of wanting someone so deeply that the desire itself becomes risky. It also feels like Greed’s emotional counterpart, mixing pride, insecurity, and a quiet kind of craving. The lyrics land with a sting, especially the line, “I just want to swallow love, to keep it all for myself,” which cuts straight to the heart.
There’s no villain in this song, only someone who has been alone long enough to fear losing affection once it finally arrives. Furthermore, Nanon sings with a mix of honesty and ache, as if he understands how unfair this kind of love can be. He admits that it doesn’t share—it consumes—yet he also shows why the feeling is so hard to fight. It’s the sound of someone who finally tasted love and refuses to let it slip away again.
What makes “Bad” shine is the clarity of its self-awareness. The guitars rise, the chorus blooms, and you can practically feel the confession heating up. The song lives in a beautiful contradiction: dark, needy, and truthful enough to make listeners uncomfortable in the best way. By the time it ends, “Bad” doesn’t feel like a caution sign at all—it feels like a reflection, reminding us that wanting to be “good” doesn’t always make us feel complete.
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3. “พอใจ (Dissatisfied)”
But why am I still not satisfied?
The love that I have isn’t enough
It doesn’t fill me up inside
I don’t understand
“Dissatisfied” digs into Greed dressed up as love—quiet, steady, and far more dangerous than loud desire. The track begins with a soft moment of reflection, led by a narrator who once believed that finding love would finally make everything feel whole. The verses move gently, almost like a dream, as Nanon sings about discovering what “good love” truly looks like. His voice stays warm and thankful, giving the impression of calm before the break.
Then the chorus arrives, and that calm shatters. When he sings, “ฉันยังไม่พอใจ — I’m still not satisfied,” the sound rises into a wave of pop-rock frustration. Furthermore, the repeated question, “มันต้องมากเท่าไหร่” (How much more will it take?), feels raw and almost sacred, like someone confessing their fears out loud. You can hear the honesty in his delivery, and it stings because it comes from a place of knowing—not denial.
What makes “Dissatisfied” stand out is how clearly it points inward. The song never blames love; instead, it faces the parts of the self that keep wanting more. Despite its polished production, the emotion stays bare and unguarded. By the end, “Dissatisfied” becomes Greed at its most human—not selfish, but fragile in a way that many listeners will recognize.
4. “ไม่อยากรัก (Shiftless)”
I don’t want to love someone new
I don’t want to learn about anyone more than this
When my heart has been given to you completely
With no room for anyone else
“Shiftless” stands out as the most emotionally gripping track on the album. The track was released prior to the album on October 27, 2025. It carries the heaviness of the morning after a long, painful fight—when you know love has faded, the relationship has ended, yet the heart refuses to move. The song captures the quiet ache of staying even when every sign says you shouldn’t. They don’t remain out of hope; they stay because they’ve already given every piece of themselves. It’s heartbreak wrapped in stillness, and it’s beautifully tragic.
The music video turns that feeling into striking visual storytelling. Set in a collapsing, post-apocalyptic world, it blends love and survival in a way that feels both dramatic and personal. Furthermore, Nanon plays a man caught between running to safety and holding on to the person he loves. His partner begs him to leave before everything falls apart, yet he can’t take a single step away. The tagline, “Staying hurts, but leaving hurts more,” echoes through every scene. The ruined landscape becomes a symbol—love as something that lingers even as everything else breaks.
What makes “Shiftless” so powerful is its honest, quiet pain. It doesn’t rely on betrayal or anger; instead, it focuses on the exhaustion that comes from loving so deeply there’s nothing left to rebuild. This is Sloth in its most human form—not laziness, but a soft surrender. It’s the moment you realize the chapter has ended, yet you’re still not ready to let go.
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5. “จำไม่ดีโทษทีใหญ่ (Fake U)”
This is my anger
How good is it?
Is it so great?
After the soft, aching heartbreak of “Shiftless,” “Fake U” bursts onto the scene with unrestrained energy. Guitars blaze, and the rhythm hits like a punch—Wrath fully unleashed, sharp, sarcastic, and unapologetic. The song captures the exact moment when pain transforms into power, and nothing is held back.
Its message is clear: don’t blame others for your mistakes—own them. Beneath the raw anger and biting lyrics, there’s a sense of liberation. The chaos feels almost joyous, as if Nanon has reclaimed his voice after heartbreak and is finally ready to shout it to the world.
His vocals snarl with fury yet soar with confidence, balancing rage and charisma effortlessly. It’s a rock anthem that’s both fierce and exhilarating—one of the album’s most unforgettable tracks.
6. “ทำไมไม่เป็นฉัน (Why, Why, Why?!)”
Why can’t it be me that you’ll love?
What did I do wrong?
Devoting my life
Never having success, not even once
Teaming up with Thai alt-metal titans The Darkest Romance, Nanon plunges into the raw intensity of Envy—the gnawing, teeth-gritting question we’ve all felt at some point: Why not me? The track opens as a tense dialogue between doubt and anger. Nanon’s voice trembles with exhaustion: “I gave it everything. Why isn’t it enough?” Meanwhile, The Darkest Romance fires back with snarling defiance: “I’m jealous, I admit it.”
The exchange is fierce, cathartic, and surprisingly moving. Furthermore, the collaboration itself is a masterstroke. Nanon’s polished pop-rock delivery cuts through the turmoil like a shaft of light, while The Darkest Romance layer in grit, shadow, and raw frustration that pulses beneath every chord. The contrast amplifies the tension, creating a clash that feels almost spiritual—like a saint and a sinner shouting the same prayer for love, only to realize neither receives it. “Why, Why, Why?!” emerges as one of the album’s boldest and most electrifying moments.
7. “ฉันอยู่ดี (It’s Me)”
No one’s gonna take my pride away
In the end, no matter what, I will be myself like this
Nothing’s gonna break my dignity
In the end, whether I live or die
No one will be able to change me
The album closes with “It’s Me”, a song about pride—but not the loud, boastful kind. Instead, it’s the quiet, hard-won pride that comes from surviving everything life tried to throw at you. The lyrics radiate self-awareness, recognizing pain, growth, and resilience.
Throughout the album, Nanon has faced every sin—envy, gluttony, greed, lust, wrath, and sloth—and in this final track, you hear him emerge on the other side: scarred yet unbroken, stronger for every battle fought. Furthermore, It’s Me doesn’t end with dramatic fireworks; it closes SEVEN with clarity, reflection, and acceptance.
My Personal Take on SEVEN by Nanon Korapat
Listening to SEVEN feels like stepping into Nanon’s world—messy, raw, and completely human. Every track is carefully crafted, but for me, “Shiftless” and “It’s Me” hit differently. “Shiftless” captures that quiet, aching heartbreak that lingers long after the storm has passed; it’s heartbreaking and beautiful in its exhaustion, a song that makes you feel the weight of love that’s given everything it can. Meanwhile, “It’s Me” closes the album with quiet triumph, a gentle yet powerful reminder of resilience and self-acceptance. It’s the kind of pride that doesn’t boast—it simply radiates.
That said, tracks like “Make You Mine” and “Fake U” are impossible to ignore. The former tempts you into lust with its smoky, tense energy, while the latter explodes with unfiltered anger and liberation, letting you feel the power of Wrath without holding back. Every song on SEVEN is worth a listen because Nanon doesn’t just sing about the seven deadly sins—he lives them, feels them, and then transforms them into something achingly relatable. By the end, you’re left not just entertained, but deeply moved.
In this way, SEVEN transcends its concept of sin. The record isn’t just about flaws or temptation—it’s about being human. It’s about acknowledging your restlessness, your mistakes, and your desires, yet still finding the courage to love yourself exactly as you are. In the end, the album leaves the listener with a sense of quiet radiance, proof that imperfection can still shine.
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Source: Nanon Korapat, RISER MUSIC
